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I replaced another director well into pre-production, and I had to start shooting by a certain date to make a theatrical release date months down the line, so I didn’t have a huge feeling of trepidation, simply because it all went so quick. JB – Well, as most people know, I came on very late so it wasn’t like I had a whole lot of time to think and develop and contemplate – it was really just me diving in and having to get everything ready to shoot because it couldn’t be pushed back. There have been some beautiful, groundbreaking movies, but there’s not that one film that is the end of the genre and that’s it – there’s so many sub-genres in horror, that it’s an incredibly malleable genre.ĭC – You directed Leatherface: Texas Chainsaw Massacre III – what was your mode of thinking at the onset of filming, knowing that Tobe Hooper had directed the first two – were you a little nervous? I love the genre, and I’m not the kind of guy that wants to make one film, get rich, and then just sit around – I came to the genre from a position of love, and I still do, and the genre is capable of so much more, and it’s an always changing and never satisfied audience – there’s no perfect horror movie – it’s yet to be made. JB – I always loved horror films growing up, and I just want to reiterate that they weren’t the ONLY kind of movies that I wanted to make. JB – Well, I hate to sound like a self-promotional asshole but the way to know that story is to buy the disc – it’s such a long convoluted story that it’s impossible to tell in a short period of time, but the bullet-point version is that we literally knocked on doors with script in hand, and he (Price) answered the door and invited us in – this was in 1985, and he read the script and said, “You know, fellas, this is a little much – it’s not really my style,” but he didn’t say no, so we came back and re-pursued it, and we got it – going through non-conventional methods to get him, and maybe it was as simple as him getting sick of hearing us talk about it and said, “Okay, fine… I’ll do it! – if it gets rid of you guys, okay!” He was just beyond a wonderful man and it was an honor to work with him – once we got him on the set, and he started working, it was magic – just seeing him create from the ground up, it was unreal.ĭC – So what was it that brought you into the world of horror? Where was the tipping point where you said, “I’ve got to jump into this!”? I then contacted Daniel Griffith and told him, “Look, this isn’t going to be some small production – there is a shitload of extras here,” so with all of the extras and documentaries, it’s like two feature films in addition to the main title. They knew it was a very personal title for me, and they knew that I would supervise and get the extras they way I wanted them, as opposed to farming it out to someone.
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Cliff McMillan was really trying to help me on it, and the assumption at the time was that there was an H-D master of the film, which turned out not to be true, so that was an added expense that they had to go through – so Scream! Factory was involved, and it was like a perfect match for this title. Scream! Factory had actually gotten in touch with me about another title, and I said, “Hey, I’ve got this title – we should really try to get this one,” and they were able to. Jeff Burr – I knew I wanted to do a special edition of this movie, and I was pretty PO’d that MGM just put this out about 10 years ago on DVD without even contacting us, so in 2012 I was making some phone calls, and trying to obtain the domestic rights to any film is very difficult, even if you own it, so long story short, after speaking with a company that I thought owned the rights, it turns out that they didn’t have the rights to do Blu-ray or single titles. He was only too happy to offer up some entertaining answers to our questions so settle in and enjoy!ĭread Central – How did it come to be that Scream! Factory decided to honor this film with such a stellar presentation? Were they in contact with you the whole time? Hot on the heels of Scream! Factory giving the royal restoration treatment to director Jeff Burr’s 1987 horror anthology, From a Whisper to a Scream (review), we managed to grab a few minutes with Mr.